With his ambitious first feature, director Shankland launches himself into the industry with energy to spare. It's a little misguided, but you can't help but admire his fierce sense of style.
In New York, grizzled detective Eddie (Skarsgard) is working with rookie Helen (George) on a series of grisly murders. The bodies have been carved with the letters W-delta-Z, which turns out to be part of a genetic survival theory being studied by a creepy scientist (Kaye). The killings are clearly not random, tracing back to a vicious assault on a woman (Blair) by a group of thugs (including Walters, Hardy and Hawkins) who all walked free. And Eddie seems to be a bit too connected to them.
The central premise grips us with the idea that love might be nothing more than an expression of survival--a theory tested in horrific ways. Shankland creates a startlingly edgy and kinetic visual tone with jarring camera work and machine-gun editing. He knowingly deploys every cop-movie cliche while also indulging in genuinely unsettling torture-porn gruesomeness. And he cleverly casts a rain-drenched Belfast as the hosed-down Manhattan.
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